CBSE Class 10 Marking Scheme 2021 Model Question Paper || CBSE Board Exams 2021 Marking Scheme
Carnatic Music (Vocal)
Class — Xth, Code : 031
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Session—-2020-21
Marking Scheme
Time - 2 hrs. Max. Marks : 30
Multiple Choice Questions:
Attempts any of 15 Question all are of Equal Marks :
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- Raga Ananda Bhariravi is Janya of:
¢) Nata Bhairavi - Raga Keervani is a:
d) Mela Karta Raga - Devarnamas are composed by:
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d) Purandara Dasa - Raga Sri Ranjani is type of:
b) Shadava Raga - Avdava Raga has:
d) 5-5 swaras - Rupaka Tala has:
a) Drutam — Laghu - Identify popular vocalist from the following:
d) G. N. BalaSubramanyam - Find out the Audava Raga from below:
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a) Hindolam - Musical from which has no angas like pallari, Any followings Charanam:
b) Gitam - Mela Number of Raga Keeravani is:
b) 21 - Papanasam Sivan’s majority of Compositions are in :
c) Tamil - Khanda Tala has:
b) 5 Aksharas - Famous composer of Divyanama is:
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a) Tyaga Raja - The number of Ragas in one mela chakra are:
b) 6 - The number of Chakras in Pourvanga Melas are:
a) 6 - Find out one of the great Musical Trinity:
b) Shyama Sastri - 72 Melakarta Ragas are divided into 2 object Poorvangam&Utgangam based on note:
¢) Madhyamam - Identify popular compose of Gitam from the following
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d) Purrandara Dasa - Identify the Bhashanga Raga from the following
¢) Bhairavi - Identify the string instrument from the following
d) Sitar - Identify the Raga with Vivadi note
d) Nattai
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Part -B
Answer any Five Questions all question are equal marks 5x3=15
- (a) Sriranjini : Raga Sri Ranjani is a Janya Raga. It is derived from 22 Melakarta Raga Karaharapriya. Its:
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Arohanam : SRGMDNS
Avarohanam SNDMGRS
It is Shadava-Shadava raga takin sixdi both in ascending and descending order. It omits Panchama. So it is also Varjya Raga. Besides Sadja it takes Chatusruti Rishabha and Chatusruti Dhaivatam.
PRAYOGAM, GMDN — MDN — NDMDN — SNDMDN “NDMDN” can be said ad Visesha Prayoga.
Musical Forms:--- Content provided by FirstRanker.com ---
a. Saga Saga Mridanga — Tyagraja
b. Marubalka — Tyagraja
c. Sri Dum Durge — Muthuswami
d. Parvataraja Kumari—Tyagraja
e. GajaVadana - papanasam Sivan--- Content provided by FirstRanker.com ---
(b) Raga Sudda Saveri : It is a janya raga derived from 29" Melakarta Raga Dhira Sankarabharanam Its :
Arohanam : SRMPDS
Avarohanam SDPMRS
e |t takes five notes both in Arohana & Avarohanam So It is Audava Audava raga.
e It omits gandharv and rmishodam so it is Varjya Raga.--- Content provided by FirstRanker.com ---
e It Dikshitar school this raga is identified as Devakriya.
e It Hindustani music it is identified with Raga Durga.
e This raga is suitable for rendering at anytime of the day.
Musical Forms:
Darini Taluskkante — Tyagraja--- Content provided by FirstRanker.com ---
Kalaharana — Tyagraja
Sri Gurugaha — Dikshita
Gitam — Analika - (a) Janya Raga: Janya Raga are generated from janaka raga or from Melakanta Raga. These ragas are various types having different combinations of swaras like, Ragas having five notes only in Arohana, Avarohana. They are identified as Audava-Audava.
Ragas having six notes in Arohana & six notes in Avarohana--- Content provided by FirstRanker.com ---
Audava — Shadava & Vice Versa
Shadava — Audava
e Ragas with 5 notes in Arohana & 7 Notes in Avarohana Audava Sampurna & Vice Versa.
e Ragas with six notes in Arohana & 7 notges in Avorohana Shadava — Sampoorna & Sampoorna Shadava.
e The above are the varieties of Janya Raga.--- Content provided by FirstRanker.com ---
Varjya raga also they are known because they leave are swara or two swaras. Janya Raga are 483 in total.
Example of Janya Raga
Raga Hansadwani
Raga Mohanam } Audava — Audava
Raga Sri Ranjani —Shadava — Shadava--- Content provided by FirstRanker.com ---
Raga Bhairav — Sampoorna Audava
(b) Janka Raga : Janka Raga are generic they are also known as Melakarta Raga. They are 72 in number. Either ragas are generated fork only these 72 ragas. The are characterized by following feature. They take seven notes taken in Arohana & Avarohana. The swaras alre found in same order. They (Swara) should be in same request orderand of homogeneous nature. They are also known as sampoorna ragas. They are divided.into two groups based on first 36 ragas based on sad to not adhymama known as Poorvanga-mela having six chakras. The second group of 36 Ragas basd on Prati Madhyam having six.chakras identified as Uttarbanga Mela.
E.g. No. 15 Mayamalawagowla(Sudda Madhyam)
65 Mechikalyani (Prat Madhyamam)
Melakarta scheme gives a systematic approval to Janaka Ragas. They are 72 Ragas having seven swaras both in Arohana and Avarohana in orderly manner. The swaras are of homogeneous chakras & they are karma Sampoorna Ragas.--- Content provided by FirstRanker.com ---
The Melakarta edivides the Rags into two parts; one, Poorvaganga based onSudda Madhyama where 36 Ragas are basedon Sudda Madhyama are classified into six chakras. Each Chakra having 6 Ragas. The chakras are Indu, Natra, Agni, Veda, Bana and Ritu.
Similarly 37 to 72 (36) Ragas are based on Prat Madhyama and are classified in Uttranga chakras, each chakra certaining six ragas Poorvanga chakras are Rishi, Vasu, Brahma, Disi Rudra and Aditya. The chakras are name of after number known as Bhuta Sankhya for eg. Indu first chakras name refers to moon which is one fourth chakra’s has name is Veda which refers to four Vedas.
Bun Poorvanga and Utranga ragas have Shadia Panchama and Madhyama as constant notes. Variations are only in other notes rishabha gadhera dhaivati and aishade. This scheme is scientifically formulated to know the scale of all Sudda madhyam & Prat madhyama based Melakarta Ragas. - Shri G.N. Balasubramaniam: Popularly known as GNB. Shri G.N. Balasubramaniam was endowed with excellent mesmerizing voice and very good looks. His style of unique in the music world. He had established a distinguished “bani” or style which is followed by so many musicians.
His father was G.V. Narayanaswamy and mother Visalam. He was born on 6% July 1910 both his parents could sing. He hailed from Gudalur and moved to Chennai. He was the first musicians to have graduated from Presidency College of Madras in English literature. He was also talented in singing classical music. His initial Gurus wer Madurai Subramania lyer and Guruswamy Bhagavatar.--- Content provided by FirstRanker.com ---
His first concert was at the age of 18. His voice was powerful voice with fall of brigas and so rich that he exhibited his effort less renderings of raga and reaching all its highest octave with ease. He had mastery of rendering ragas. Tanam, Palalvi. He had joined Madras Music Academy in 1929. 1942 He received “sangeetha kalanidhi” Title In 1959 he received Presidential award from Dr. S. Radha Krishnan.
He was fortunate is have accompanist all senior vidwans like Kumbokomam Raja manickan Pillai, T Choudagga in Violin and Palghat Mani, Palani Subramania Pillai, Muruga Bhopathy & in Juniors halgudi Jayarawan and Palghat Mani.
He had acted infew films which became hits only because of his songs. He had paired with the renowned Vocalist M.S. Sabbulakshmi Shakuntalam Vasava dutta, Bhama Vijayam and Seth Sawariya.
He was staunch devote of Daity Srividhya and a firstranker.composer of many varnams and kritis in rare raga like Siva Sakthi.
He had lieft a host of disciples renowned were ML Vasanthakumari, TR Balu, Kalyanarama, Trichur Ramachandran and many others.--- Content provided by FirstRanker.com ---
Papanasam Sivan : Papanasam “Ramayya: Sivan was a Prominent Vocalist Musicians and a great composer. Hew was born on 26.09.1890 in POLA GAM, Tanjere Dish. Hew was basically a film music composer in Kannada language for about 10 years. Later became a great composer of Tamil Kritis: he had studied- Sanksrit from Travancore College. He has composed songs in Sanskrit also.
His Parents were Ramamsitha lyer and mother Yogambal. He was a great devote of Lord Shiva; Every day he used-to sing in the temple with full fernier and emotions that people used to call him papanasam sivan. He had learnt Carnatic music from Noorani Mahadeva Bhagwathar and Karamana Nella Kanta Desar Kerela. After his parents demise; he shifted Madras and so was devoted to Mylapore Kapoleswaran (Ghiva Manifestation)
His osngs were simple and handle by common people. They were popularized through films by D.K. Pattammal, M.K. Tyagraja Bhagwathar, D.K. Jayaraman.
He used to Participate in Tiruvaiyyaru and Nagapattinam temples every year Sapta Janam Festival. He sang his over compositions and were applauded by people.
He had also acted in few films like Bhakta kuchela, Tyaga Bhoomi, Bhakta Cheta, Kubao kuchala. They were all hit because of his songs. He was awarded sangeetha kala ardhi in 1970 by Madaras Music academy. He died in 1.10.1973 when he wa 83; 1962-He was awarded lsai Perarignar. He is survived by his daughter Neela Ramamurthy and Dr. Rukmani and Son krita Vasan Sivan and Grandson Ashok Ramani. They also are musicians. - (a) Shadava Raga: Shadava Variation in raga means Raga with six notes either in Arohana or Arohana Avarohana or in Avarohanana. They can be Shadava-Shadava six notes both Arohna and Avarohana Example Sri Ranjani Raga
Srgmdms—-sndmgrs
Shadava Audava : Arohana six notes Avarohana five notes
Example : Raga Bahudani- sgmpdns -snpmgs
Audava — Shadavam : Arohana five notes and Avarohana six notes--- Content provided by FirstRanker.com ---
Example:srgpds—sndpgrs
Sampoorna Shadavam:
Arohanam — all seven notes
Avaro — Ranam - Six notes
Ragam Bhairavam:--- Content provided by FirstRanker.com ---
srgmpdns—sdpmgrs
Shadava Sampoorna :
e Six notes in Arohana
e Seven notes in Avarohana
e Ragam Bhushaval--- Content provided by FirstRanker.com ---
Srgmpds
smdpmgrs
(b) Audava Raga : Ragas which have five nots ineither Arohana or Avarohana or both the variations can be Audava Audava, Audav Shadav, Audava Sampoorna.
Shadava — Audava, Sampoorna Audava
E.g. Mohanam § srgnds--- Content provided by FirstRanker.com ---
Raga } sdpgrs
Audava Shadava 5 notes in Arohana 6 notes in Avarhona
Example Ragan Bowli srgpds
rndpgrs
Shadava Audava six notes in‘Arohana & five notes in Avarohana--- Content provided by FirstRanker.com ---
Example:
BahudariRaga:sgmrdns
snpmgs
Audava Sampoorna five notes in Arohana six notes in Avarohana
Example:--- Content provided by FirstRanker.com ---
Saveri: srmpds
sndpmgrs
& Sampoorna Audava
Ragan Mohanam Talam
(28t Melajanyam)--- Content provided by FirstRanker.com ---
Arohanas ra g2 p2d s
Rupa Kam (Chathusra Jaathi)
Avrohanasd.p g:2Rz2 s
G G ! P, P, 1 pp ! s s N
va ra | vee na II' moodu Pa ni Il--- Content provided by FirstRanker.com ---
R S ! DD, P, N D P! GGR, !l
va ma | ruha lo II' Chana! ra ni 1
G P ! DS, D, N b P I GGR U
su nu ! chirapan I bara I ve ni Il
G P ! DS, D, N D P ! GGR, I--- Content provided by FirstRanker.com ---
su ru ! chirapan I bara ! ve ni !l
G G ! D PG, N PG ! GRS, I
su ra ! muthakal I!lvya . ' oooni !
G G ! GGRG Il PG ! PP Il
ni ru ! pamasubha !l gu na ! to ta Il--- Content provided by FirstRanker.com ---
G G ! D PD n"p P I'S S Il
ni ra ! tha ja ya Il pra da! see ta 1
D G ! RRS S IUD S ! DDDP !
va ra | da . priya IlRanga ! navyaki !l
GP ! D S DPp I'D P! GGR S Il--- Content provided by FirstRanker.com ---
va ! nehitha phala !!'da . ! . .vyakill
S R I G .G NG R ! PGR 1
sa ra ! si. ja I sana! Janani !l
S R I S GRS NG R | SS. Il
Ja Ya I JaYalaYa Il Jaya | vani 1 - Musicians have enriched the compositions with various decorative features which have added to the beauty of the kriti. The decorative features can'be sangathis with raga bhava, use of (1) swara kshara (2) Chittai swara, (3) Swara Sahitya (4)-Kattu Swara (5) use of gati (6) Prasa, (7)j Mudras (8) Gamkas.
Swarakshara : It is highly intellectual attempt to use swara as representing word.
Tyagraja raga :? Bhakti Bhagya Jayanandan
Tyagraja raga : Sri Rama Padama‘(Feet)
PADAMA--- Content provided by FirstRanker.com ---
Invarnam PA DA SA
Pa da' saroga (Navragamalika Varnam)
Chitta Swara: Walaja Krishna swamy Bhagvatar had added chitta swara to Tyagraja’s Sobhilla Sapta swara Raga Jagan Mohini.
Patnam Subramaniya lyeris “Raghuvamsa Sudha” in Raga Kadana Kudugalan by Chitta Swara was given by Tiravaiyaru Subramaniya lyer
Madhyamakala Sahitya : This is where composition in normal speed & the saityan in Madhyamakala is added to improve the lustra of the kriti. Muthuswami Dikshitar kriti mostly comprise this aspect.
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