DUET 2019 MPhil PhD in English Previous Queston Papers

Delhi University Entrance Test (DUET) 2019 MPhil PhD in English Previous Queston Papers

This post was last modified on 19 June 2020

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DUET Last 10 Years 2011-2021 Question Papers With Answer Key || Delhi University Entrance Test conducted by the NTA

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DU MPhil PhD in English

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Topic:- MPHIL_ENG_T1

Which of the following statements about the theory of Deconstruction is not true?
1. Deconstruction is not a dismantling of the structure of a text but a demonstration that it has already dismantled itself.
2. Deconstruction is synonymous with destruction.
3. Deconstruction of a text proceeds by the careful teasing out of warring forces of signification within the text itself.
4. The tenets of Deconstruction were originated by Roland Barthes.
Codes:

[Question ID = 24177]
1. II & IV [Option ID = 36708]
2. Only I [Option ID = 36706]
3. I & IV [Option ID = 36709]
4. I, II & III [Option ID = 36707]
Correct Answer :-
- Only I [Option ID = 36706]
"Cut off from his religious, metaphysical and transcendental roots, man is lost, all his actions become senseless, absurd, useless."
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To which movement(s) in literature does/do this line allude to?
1. Absurdism
2. Transcendentalism
3. Romanticism
4. None of these
Codes:
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[Question ID = 24176]
1. Both I & II [Option ID = 36704]
2. Only IV [Option ID = 36702]
3. Only III [Option ID = 36705]
4. Only I [Option ID = 36703]
Correct Answer :-
- Only IV [Option ID = 36702]

Topic:- MPHIL_ENG_T2

The idea of the transnation emerges when we distinguish the nation from the state. While the political boundaries of the state appear to identify all citizens, and locate them in a relation with other states, the actual circulation of people within the nation represents a subliminal flow of agency that the state can never hope to control. This goes even further than the ethnic and cultural division of groups within the state, such as Catalonia in Spain or the Kurds in Turkey and Iraq. It also goes beyond the insurgent activity of oppressed minorities. The transnation represents a constant realignment of contingent associations that transcend any political orientation. It doesn't necessarily involve any conscious position of separatism at all. It is the flow of people in their ordinary lives.
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Which of the following statement(s) can be assumed from the passage?
1. Transnation is about the dramatic flow of people across national borders.
2. Transnation alludes to a much deeper destabilisation of the power of the nation state.
3. Transnation contests the rigidities of national doctrine within the boundaries of the nation.
Codes:

[Question ID = 24185]
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1. Only I [Option ID = 36738]
2. Only II & III [Option ID = 36739]
3. All of these [Option ID = 36740]
4. None of these [Option ID = 36741]
Correct Answer :-
--- Content provided by FirstRanker.com ---
- Only I [Option ID = 36738]
Following question is based on the passage given below. Read the passage and choose the most appropriate option:
The idea of the transnation emerges when we distinguish the nation from the state. While the political boundaries of the state appear to identify all citizens, and locate them in a relation with other states, the actual circulation of people within the nation represents a subliminal flow of agency that the state can never hope to control. This goes even further than the ethnic and cultural division of groups within the state, such as Catalonia in Spain or the Kurds in Turkey and Iraq. It also goes beyond the insurgent activity of oppressed minorities. The transnation represents a constant realignment of contingent associations that transcend any political orientation. It doesn't necessarily involve any conscious position of separatism at all. It is the flow of people in their ordinary lives.
Among the following statement(s) identify the statement(s) that could be a continuation of the passage?
1. Transnation is the fluid, migrating outside of the state that begins within the nation.
2. So the concept of 'the' transnation I am proposing is composed not only of diasporas but of the rhizomatic interplay of travelling subjects within as well as between nations.
3. The transnational is a hard concept to pin down since it seems to be a portmanteau term now used to explain contemporary global mobility.
Codes:

[Question ID = 24184]
1. Only II & III [Option ID = 36736]
2. Only III [Option ID = 36737]
3. Only I [Option ID = 36734]
4. Only II [Option ID = 36735]
Correct Answer :-
- Only I [Option ID = 36734]

Topic:- MPHIL_ENG_T3

Following question is based on the passage given below. Read the passage and choose the most appropriate option:
Bombay was central and had been so from the moment of its creation: the bastard child of a Portuguese-English wedding, and yet the most Indian of Indian cities. In Bombay all Indias met and merged. In Bombay, too, all-India met what-was-not-India, what came across the black water to flow into our veins. Everything north of Bombay was North India, everything south of it was the South. To the east lay India's East and to the west, the world's West. Bombay was central; all rivers flowed into its human sea. It was an ocean of stories; we were all its narrators, and everybody talked at once.
What does this passage indicate?
1. A city such as Bombay breaks the National/Global binary.
2. A city such as Bombay provides a case study of the emergence of the sub-national social phenomenon.
3. A city such as Bombay indicates the birth of a new space called the postcolonial city beyond the notions of state and nation.
Codes:

[Question ID = 24188]
1. Only III [Option ID = 36752]
2. Only I [Option ID = 36750]
3. Only II [Option ID = 36751]
4. All of these [Option ID = 36753]
Correct Answer :-
- Only I [Option ID = 36750]
Following question is based on the passage given below. Read the passage and choose the most appropriate option:
Bombay was central and had been so from the moment of its creation: the bastard child of a Portuguese-English wedding, and yet the most Indian of Indian cities. In Bombay all Indias met and merged. In Bombay, too, all-India met what-was-not-India, what came across the black water to flow into our veins. Everything north of Bombay was North India, everything south of it was the South. To the east lay India's East and to the west, the world's West. Bombay was central; all rivers flowed into its human sea. It was an ocean of stories; we were all its narrators, and everybody talked at once.
Which of the following statement(s) best express(es) the significance of the expression "an ocean of stories"?
1. It captures the multi-layered reality of a city space.
2. It captures the inevitability of the city's absorption of different subjectivities.
3. It focuses on the city's assimilation of different brands of political diaspora.
4. It focuses on the city's absorption of both the global and internal diaspora.
Codes:

[Question ID = 24189]
1. Only I [Option ID = 36754]
2. Only I&II [Option ID = 36755]
3. All of these [Option ID = 36757]
4. I, II & IV [Option ID = 36756]
Correct Answer :-
- Only I [Option ID = 36754]
Following question is based on the passage given below. Read the passage and choose the most appropriate option:
Bombay was central and had been so from the moment of its creation: the bastard child of a Portuguese-English wedding, and yet the most Indian of Indian cities. In Bombay all Indias met and merged. In Bombay, too, all-India met what-was-not-India, what came across the black water to flow into our veins. Everything north of Bombay was North India, everything south of it was the South. To the east lay India's East and to the west, the world's West. Bombay was central; all rivers flowed into its human sea. It was an ocean of stories; we were all its narrators, and everybody talked at once.
Which of the following best represents Bombay?
[Question ID = 24187]
1. A diasporic space [Option ID = 36747]
2. A threshold space [Option ID = 36746]
3. All of these [Option ID = 36749]
4. A hybrid space [Option ID = 36748]
Correct Answer :-
- A threshold space [Option ID = 36746]

Topic:- MPHIL_ENG_T4

Fill in the blanks with the most appropriate option from the choices given below:
Monologism is similar to the ..................(A) in Lacanian thought, and ..................(B) in Deleuze. In politics, we might think of .................(C) as monologism: only what is profitable is deemed significant. As Guattari observes, if we laugh or cry, if we fear old age or death, if we are 'mad', does not matter to capitalism – it is `noise', in the ........(D) sense. Even at a limit-case such as ..........(E), human need is irrelevant – a poor person may have a vital need for food, but they do not have effective market demand.
most appropriate option for the blank A.
[Question ID = 24191]
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1. the Dialectic of Knowledge [Option ID = 36763]
2. repression-sublimation [Option ID = 36764]
3. master-signifier [Option ID = 36762]
4. identification [Option ID = 36765]
Correct Answer :-
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- master-signifier [Option ID = 36762]
Fill in the blank with the most appropriate option from the choice given below:
Monologism is similar to the ..................(A) in Lacanian thought, and ..................(B) in Deleuze. In politics, we might think of .................(C) as monologism: only what is profitable is deemed significant. As Guattari observes, if we laugh or cry, if we fear old age or death, if we are 'mad', does not matter to capitalism – it is 'noise', in the ........(D) sense. Even at a limit-case such as ..........(E), human need is irrelevant – a poor person may have a vital need for food, but they do not have effective market demand.
most appropriate option for the blank E.
[Question ID = 24195]
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1. population growth [Option ID = 36779]
2. starvation [Option ID = 36778]
3. education [Option ID = 36780]
4. obesity [Option ID = 36781]
Correct Answer :-
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- starvation [Option ID = 36778]
Fill in the blank with the most appropriate option from the choice given below:
Monologism is similar to the ..................(A) in Lacanian thought, and ..................(B) in Deleuze. In politics, we might think of .................(C) as monologism: only what is profitable is deemed significant. As Guattari observes, if we laugh or cry, if we fear old age or death, if we are 'mad', does not matter to capitalism – it is 'noise', in the ........(D) sense. Even at a limit-case such as ..........(E), human need is irrelevant – a poor person may have a vital need for food, but they do not have effective market demand.
most appropriate option for the blank D.
[Question ID = 24194]
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1. communication-theory [Option ID = 36774]
2. information-theory [Option ID = 36777]
3. capitalistic-theory [Option ID = 36775]
4. language-theory [Option ID = 36776]
Correct Answer :-
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- communication-theory [Option ID = 36774]
Fill in the blank with the most appropriate option from the choice given below:
Monologism is similar to the ..................(A) in Lacanian thought, and ..................(B) in Deleuze. In politics, we might think of .................(C) as monologism: only what is profitable is deemed significant. As Guattari observes, if we laugh or cry, if we fear old age or death, if we are 'mad', does not matter to capitalism – it is 'noise', in the ........(D) sense. Even at a limit-case such as ..........(E), human need is irrelevant - a poor person may have a vital need for food, but they do not have effective market demand.
most appropriate option for the blank B.
[Question ID = 24192]
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1. arborescence [Option ID = 36767]
2. pleasure principle [Option ID = 36768]
3. transitivism [Option ID = 36766]
4. rhizome [Option ID = 36769]
Correct Answer :-
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- transitivism [Option ID = 36766]
Fill in the blank with the most appropriate option from the choice given below:
Monologism is similar to the ..................(A) in Lacanian thought, and ..................(B) in Deleuze. In politics, we might think of .................(C) as monologism: only what is profitable is deemed significant. As Guattari observes, if we laugh or cry, if we fear old age or death, if we are 'mad', does not matter to capitalism – it is `noise', in the ........(D) sense. Even at a limit-case such as ..........(E), human need is irrelevant – a poor person may have a vital need for food, but they do not have effective market demand.
most appropriate option for the blank C.
[Question ID = 24193]
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1. cinema [Option ID = 36772]
2. socialism [Option ID = 36771]
3. capitalism [Option ID = 36773]
4. democracy [Option ID = 36770]
Correct Answer :-
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- democracy [Option ID = 36770]

Topic:- MPHIL_ENG_T5

Given question is based on the following passage. Read the excerpt from the poem below and choose the most appropriate answer for the question that follows
After every war
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someone has to tidy up.
Things won't pick
themselves up, after all.
Someone has to shove
the rubble to the roadsides
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so the carts loaded with corpses
can get by.
[...]
Someone has to lug the post
to prop the wall,
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someone has to glaze the window,
set the door in its frame.
No sound bites, no photo opportunities,
and it takes years.
All the cameras have gone
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to other wars.
The bridges need to be rebuilt,
the railroad stations, too.
Shirtsleeves will be rolled
to shreds.
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Someone, broom in hand,
still remembers how it was.
Someone else listens, nodding
his unshattered head.
[...]
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Those who knew
what this was all about
must make way for those
who know little.
And less than that.
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And at last nothing less than nothing.
[...]
(Wislawa Szymborska, 'The End and the Beginning')
The tone of the lines 'Things won't pick/themselves up, after all.' is
[Question ID = 24198]
1. sarcastic [Option ID = 36790]
2. sorrowful [Option ID = 36793]
3. apathetic [Option ID = 36792]
4. sympathetic [Option ID = 36791]
Correct Answer :-
- sarcastic [Option ID = 36790]
Given question is based on the following passage. Read the excerpt from the poem below and choose the most appropriate answer for the question that follows
After every war
someone has to tidy up.
Things won't pick
--- Content provided by⁠ FirstRanker.com ---
themselves up, after all.
Someone has to shove
the rubble to the roadsides
so the carts loaded with corpses
can get by.
--- Content provided by‌ FirstRanker.com ---
[...]
Someone has to lug the post
to prop the wall,
someone has to glaze the window,
set the door in its frame.
--- Content provided by FirstRanker.com ---
No sound bites, no photo opportunities,
and it takes years.
All the cameras have gone
to other wars.
The bridges need to be rebuilt,
--- Content provided by⁠ FirstRanker.com ---
the railroad stations, too.
Shirtsleeves will be rolled
to shreds.
Someone, broom in hand,
still remembers how it was.
--- Content provided by‍ FirstRanker.com ---
Someone else listens, nodding
his unshattered head.
[...]
Those who knew
what this was all about
--- Content provided by‍ FirstRanker.com ---
must make way for those
who know little.
And less than that.
And at last nothing less than nothing.
[...]
--- Content provided by FirstRanker.com ---
(Wislawa Szymborska, 'The End and the Beginning')
From the stanzas cited we can assume that the poet's attitude toward war and its aftermaths is one of
[Question ID = 24201]
1. hopelessness [Option ID = 36802]
2. stupefaction [Option ID = 36805]
3. renunciation [Option ID = 36804]
4. indignation [Option ID = 36803]
Correct Answer :-
- hopelessness [Option ID = 36802]
Given question is based on the following passage. Read the excerpt from the poem below and choose the most appropriate answer for the question that follows
--- Content provided by⁠ FirstRanker.com ---
After every war
someone has to tidy up.
Things won't pick
themselves up, after all.
Someone has to shove
--- Content provided by FirstRanker.com ---
the rubble to the roadsides
so the carts loaded with corpses
can get by.
[...]
Someone has to lug the post
--- Content provided by FirstRanker.com ---
to prop the wall,
someone has to glaze the window,
set the door in its frame.
No sound bites, no photo opportunities,
and it takes years.
--- Content provided by FirstRanker.com ---
All the cameras have gone
to other wars.
The bridges need to be rebuilt,
the railroad stations, too.
Shirtsleeves will be rolled
--- Content provided by FirstRanker.com ---
to shreds.
Someone, broom in hand,
still remembers how it was.
Someone else listens, nodding
his unshattered head.
--- Content provided by‌ FirstRanker.com ---
[...]
Those who knew
what this was all about
must make way for those
who know little.
--- Content provided by‌ FirstRanker.com ---
And less than that.
And at last nothing less than nothing.
[...]
(Wislawa Szymborska, 'The End and the Beginning')
In the final stanza cited, the poet is writing about
[Question ID = 24200]
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1. a process of remembering [Option ID = 36798]
2. a process of forgetting [Option ID = 36799]
3. a process of deliberate forgetting [Option ID = 36800]
4. a process of involuntary forgetting [Option ID = 36801]
Correct Answer :-
--- Content provided by FirstRanker.com ---
- a process of remembering [Option ID = 36798]
Given question is based on the following passage. Read the excerpt from the poem below and choose the most appropriate answer for the question that follows
After every war
someone has to tidy up.
--- Content provided by‍ FirstRanker.com ---
Things won't pick
themselves up, after all.
Someone has to shove
the rubble to the roadsides
so the carts loaded with corpses
--- Content provided by FirstRanker.com ---
can get by.
[...]
Someone has to lug the post
to prop the wall,
someone has to glaze the window,
--- Content provided by FirstRanker.com ---
set the door in its frame.
No sound bites, no photo opportunities,
and it takes years.
All the cameras have gone
to other wars.
--- Content provided by‍ FirstRanker.com ---
The bridges need to be rebuilt,
the railroad stations, too.
Shirtsleeves will be rolled
to shreds.
Someone, broom in hand,
--- Content provided by‌ FirstRanker.com ---
still remembers how it was.
Someone else listens, nodding
his unshattered head.
[...]
Those who knew
--- Content provided by FirstRanker.com ---
what this was all about
must make way for those
who know little.
And less than that.
And at last nothing less than nothing.
--- Content provided by‍ FirstRanker.com ---
[...]
(Wislawa Szymborska, 'The End and the Beginning')
'No sound bites, no photo opportunities,
and it takes years.
All the cameras have gone
--- Content provided by FirstRanker.com ---
to other wars.'
The stanza above implies that wars are
[Question ID = 24199]
1. invisible events [Option ID = 36796]
2. sustained by spectacle [Option ID = 36795]
3. continuous events [Option ID = 36797]
4. long-drawn out events [Option ID = 36794]
Correct Answer :-
- long-drawn out events [Option ID = 36794]
Given question is based on the following passage. Read the excerpt from the poem below and choose the most appropriate answer for the question that follows
--- Content provided by‌ FirstRanker.com ---
After every war
someone has to tidy up.
Things won't pick
themselves up, after all.
Someone has to shove
--- Content provided by‌ FirstRanker.com ---
the rubble to the roadsides
so the carts loaded with corpses
can get by.
[...]
Someone has to lug the post
--- Content provided by FirstRanker.com ---
to prop the wall,
someone has to glaze the window,
set the door in its frame.
No sound bites, no photo opportunities,
and it takes years.
--- Content provided by‌ FirstRanker.com ---
All the cameras have gone
to other wars.
The bridges need to be rebuilt,
the railroad stations, too.
Shirtsleeves will be rolled
--- Content provided by‍ FirstRanker.com ---
to shreds.
Someone, broom in hand,
still remembers how it was.
Someone else listens, nodding
his unshattered head.
--- Content provided by FirstRanker.com ---
[...]
Those who knew
what this was all about
must make way for those
who know little.
--- Content provided by‌ FirstRanker.com ---
And less than that.
And at last nothing less than nothing.
[...]
(Wislawa Szymborska, 'The End and the Beginning')
We can assume from the passage that the aftermath of war involves
[Question ID = 24197]
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1. hopeful work [Option ID = 36788]
2. repetitive work [Option ID = 36787]
3. tedious work [Option ID = 36789]
4. exciting work [Option ID = 36786]
Correct Answer :-
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- exciting work [Option ID = 36786]

Topic:- MPHIL_ENG_T6

Identify the statements that correctly explain(s) the Trickster figure
[Question ID = 24207]
1. In many Native American cultures the beast fable features Coyote as the central trickster. [Option ID = 36827]
2. Maria Campbell fits in the character of trickster in Halfbreed. [Option ID = 36828]
3. A Trickster figure persistently uses his wiliness and gift of gab to achieve his ends by outwitting other characters. [Option ID = 36826]
4. All of these [Option ID = 36829]
Correct Answer :-
- A Trickster figure persistently uses his wiliness and gift of gab to achieve his ends by outwitting other characters. [Option ID = 36826]
Which English novel, among the following, deals with characters from Dalit Chuhra community in Pakistan?
[Question ID = 24209]
1. Kamila Shamsie's Home Fire [Option ID = 36837]
2. Hanif Kureishi's The Black Album [Option ID = 36836]
3. Mohammad Hanif's Our Lady of Alice Bhatti [Option ID = 36835]
4. Tehmina Durrani's Blasphemy [Option ID = 36834]
Correct Answer :-
- Tehmina Durrani's Blasphemy [Option ID = 36834]
Which English novel, among the following, has multiple endings?
[Question ID = 24212]
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1. Angus Wilson's Late Call [Option ID = 36846]
2. John Fowles' French Lieutenant's Woman [Option ID = 36849]
3. Gabriel Garcia Marquez's Love in the Time of Cholera [Option ID = 36848]
4. Paul Scott's Staying On [Option ID = 36847]
Correct Answer :-
--- Content provided by‍ FirstRanker.com ---
- Angus Wilson's Late Call [Option ID = 36846]
Who, among the following playwrights, established the idea of Plastic Theatre?
[Question ID = 24215]
1. Tennessee Williams [Option ID = 36860]
2. Arthur Miller [Option ID = 36859]
3. Harold Pinter [Option ID = 36861]
4. John Osborne [Option ID = 36858]
Correct Answer :-
- John Osborne [Option ID = 36858]

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In __________, the speaker is a serious moralist who uses a dignified and public utterance to decry modes of vice and error which are no less dangerous because they are ridiculous, and From the aberrations of humanity.
[Question ID = 24204]
1. Horatian satire [Option ID = 36815]
2. Juvenilian satire [Option ID = 36814]
3. Indirect satire [Option ID = 36816]
4. Varronian satire [Option ID = 36817]
Correct Answer :-
- Juvenilian satire [Option ID = 36814]
Match the theorist with the theoretical concept
1. Michel Foucault
2. Edward Soja
3. Zygmunt Bauman
4. John and Ruth Hill Useem
Codes:

[Question ID = 24213]
1. Heterotopia
2. Third Culture Kids
3. Liquid Modernity
4. Third Space
1. I-a, II-c, III-b, IV-d [Option ID = 36852]
2. I-a, II-d,III-c, IV-b [Option ID = 36853]
3. I-c, II-d, III-b, IV-a [Option ID = 36851]
4. I-d, II-b, III-a, IV-c [Option ID = 36850]
Correct Answer :-
- I-d, II-b, III-a, IV-c [Option ID = 36850]

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Match the following theorists/authors with their works:
1. Christian Metz
2. Frantz Fanon
3. Julia Kristeva
4. Giorgio Agamben
Codes:
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[Question ID = 24211]
1. Strangers to Ourselves
2. The Imaginary Signifier: Psychoanalysis and the Cinema
3. Black Skin, White Masks
4. The State of Exception
1. I-b, II-d, III-a, IV-c [Option ID = 36843]
2. I-b, II-c III-a, IV-d [Option ID = 36844]
3. I-c, II-d, III-b, IV-a [Option ID = 36842]
4. I-c, II-b, III-d, IV-a [Option ID = 36845]
Correct Answer :-
--- Content provided by‍ FirstRanker.com ---
- I-c, II-d, III-b, IV-a [Option ID = 36842]
__________________ is a group of learning disabilities that affect a person's ability to understand written language.
[Question ID = 24316]
1. handwriting [Option ID = 37259]
2. reading [Option ID = 37263]
3. Mathematics [Option ID = 37261]
4. drawing [Option ID = 37265]
Correct Answer :-
- handwriting [Option ID = 37259]

--- Content provided by‍ FirstRanker.com ---

Which of the following work is not written by Amitav Ghosh?
[Question ID = 24321]
1. Half the Night is Gone [Option ID = 37287]
2. Dancing in Cambodia and at Large in Burma [Option ID = 37289]
3. The Great Derangement [Option ID = 37285]
4. Gun Island [Option ID = 37282]
Correct Answer :-
- Gun Island [Option ID = 37282]
Match the novels with the artists whose lives they portray:
1. The Moon and Sixpence
2. Girl with a Pearl Earring
3. The Agony and the Ecstasy
4. The Lady in Gold
Code:

[Question ID = 24317]
1. Gustav Klimt
2. Michelangelo
3. Johannes Vermeer
4. Paul Gauguin
1. I-c; II-b; III-d; IV-a [Option ID = 37270]
2. I-d; II-c; III-b; IV-a [Option ID = 37268]
3. I-b; II-d; III-a; IV-c [Option ID = 37266]
4. I-b; II-a; III-d; IV-c [Option ID = 37272]
Correct Answer :-
- I-b; II-d; III-a; IV-c [Option ID = 37266]

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Match the quotation with the Shakespeare play:
1. After life's fitful fever, he sleeps well.
2. Perdition catch my soul/But I do love thee! And when I love thee not/Chaos is come again.
3. O, when degree is shak'd,/Which is the ladder of all high designs,/The enterprise is sick.
4. She sat like Patience on a monument, smiling at grief.
1. Troilus and Cressida
2. Macbeth
3. Twelfth Night
4. Antony and Cleopatra

--- Content provided by FirstRanker.com ---

This download link is referred from the post: DUET Last 10 Years 2011-2021 Question Papers With Answer Key || Delhi University Entrance Test conducted by the NTA

This post was last modified on 19 June 2020

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